Sнαroɴ Dα Sιlvα | əıdsəๅๅı⅁ ɐssəๅ∀ (
unitas) wrote in
hadriel_logs2017-08-15 03:39 pm
Entry tags:
AUGUST LOG | OPEN TO ALL + 1 CLOSED
Who: Sharon da Silva, Mello, and maybe you!
What: Memorial tending, mattress suffocation, and poor singing.
Where: EVERYWHERE
When: All of August, with much wiggle room.
Warnings: Sharon has the mouth of the sailor.
▍▍▍▍EARLY AUGUST | MEMORIAL GARDEN
▍▍▍▍ II. AUGUST | ANY CITY BENCH | ANY TIME
▍▍▍▍ III. NORTHERN BRIDGE | LATE AT NIGHT
▍▍▍▍ IV. SORROW'S A BITCH | CLOSED TO MELLO | HOUSE 07
What: Memorial tending, mattress suffocation, and poor singing.
Where: EVERYWHERE
When: All of August, with much wiggle room.
Warnings: Sharon has the mouth of the sailor.
▍▍▍▍EARLY AUGUST | MEMORIAL GARDEN
- [ People come. People go. It's just the way Hadriel has always been. Just when you think you've found someone you've lost, or you've loved, or you've fallen for, they're taken from you as if they were things underserved. It's true, few deserve to suffer the ills of this place, but the pain doesn't just quit with that knowledge; it festers and lingers and sometimes she dreams of certain people whose features are turning into a blur.
Today, Sharon is at the small memorial garden that Glacius and her had set up. Her fingers are in the dirt and then she slams a simple white stick into the ground, packing in the dirt around it. She pulls tiny things from her bag, mostly toys, and sets them around it. With black paint and a steady hand, she writes NEAR and places a folded pieced of paper beneath one of the many toys, her own goodbye.
People come. People go. And no one ever really gets used to it.
It's possible to encounter Sharon tending to other simple markers, sprucing up flowers, or adjusting special items that have been tipped over. There's nearly a marker for every single person who has left and gone, and those who have returned have been pulled out, laid aside with hope that it won't return to its resting place again. ]
▍▍▍▍ II. AUGUST | ANY CITY BENCH | ANY TIME
- [ It's just another day, whether the Door is flipping its shit or not. Sharon's on one of the benches, legs crossed beneath her, back hunched, blonde hair obscuring her features. Her attention is entirely on the book in the front of her. It's not much larger than a paperback novel but it's thick, with pieces of paper stuffed in. On every page, there are faces, familiar or otherwise, and passersby are free to notice a friend or themselves on the page.
This is her book of people. The people she's grown to care for, to love, to enjoy, to hate, and admire. They're all there. Some have more sketches than others. Special pieces are folded in half, hidden. There's one she drew while Mello slept, his features softened. Cecily with a wide grin, and Kate on top of a roof she shouldn't have climbed in the first place.
Should anyone come to take a seat, she'll immediately scoot over, offering more room but shielding her notebook. Sorry, she's paranoid. ]
▍▍▍▍ III. NORTHERN BRIDGE | LATE AT NIGHT
- [ Another nightmare. Another night where she can't fall back to sleep. In an attempt to not keep Mello up, she slips out of their house (their house has a ring to it she has trouble getting used to). She slips her knife into her knee high boots, pops on a hoodie, and heads out. At first, she just walks. Her legs tire quickly.
She's just so fucking tired.
She reaches the northern most bridge and leans against it, looking over it at the water below. Eventually, she climbs onto the banister and lets her feet dangle over the edge. She starts to hum quietly, some song she'd heard a long time ago, and eventually, the lyrics come out. She does not sing loudly and she's off beat on occasion, missing a note or two, but there's heavy meaning to what she sings. ]
A letter to my future self, 'Am I still happy?' I began [ Her reflection in the water looks nothing like she used to. Will Rose recognize really one day? She continues ] Have I grown up pretty? Is daddy still a good man?
[ She stops, something in her heart aching. She sings each verse, some more emotional than others as she watches this stranger in the water ] Ten years ago your past self-prayed for your happiness. Please, don't lose hope.
[ Why couldn't she be a kid again? Anyone is free to come by, to listen, or to even mock the notes she misses. ]
▍▍▍▍ IV. SORROW'S A BITCH | CLOSED TO MELLO | HOUSE 07
- [ The event has been nothing thus far for Sharon. She found a nice chair for the living room and that's always great, not that she expects strangers to come and make an appearance; this is just her and him and it's unlikely she's about to spill where she's staying, for his sake and her own. And the cat doesn't seem to mind it too much if they way he's claimed it is any indication.
It's early morning and Sharon has wrapped herself around Mello, one leg drapped over his, nestling herself against him. It's been a good night. No nightmares. No screams. No sleep paralysis or sleep-walking. It's been such a good night that she nestles into him more, pressing her lips against his neck, breathing him in and enjoying such a small moment. It's really too bad that moment is destroyed.
Demolished.
Or, more accurately, crushed by a queen size foam mattress topper. ]
Fucking hell [ are the only words Sharon manages to get out as she tries to disentangle herself from her lover and murder the person who thought dropping mattress toppers on people was a great plan. Fucking gods and Doors. ]

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