Dr. Lee Rosen (
drabsolutelynot) wrote in
hadriel_logs2017-03-07 02:30 pm
Entry tags:
Did You Know Music Affects the Autonomic Nervous System?
Who: Dr. Lee Rosen and [OPEN TO ANYONE]
What: Lee has a harp and he needs to practice.
Where: The park
When: Early March
Warnings: None [Will Change if Needed]
Rosen winced at the discordant sound of an out of tune string. He'd been fiddling with the harp now for the better part of the morning and had tuned it, retuned it, and was in the midst of retuning it a third time. Or was it a fourth? He'd draw the strings taut, tighten them to perfect pitch, then loosen them to start the process over again. Why? It was mostly for the sake of practice. It had been well over a year since he'd personally tuned anything and some part of himself was desperate to prove that he still could. He wanted to remind himself that he had once known the proper pitch ratios and notational increments for harmonic chords.
And he still did.
The mathematics hadn't changed. He could still apply Platonic ratios to his instrument with ease. However, he was now finding that his muscle memory had begun to ossify.
To Lee's displeasure, his fingertips were dark pink and aching already and his knuckles were beginning to shake a bit when he gripped the bridge of the instrument. Clearly his age coupled with his time in incarceration had lost him his callouses and his grip, things that he had built up over years of guitar and piano playing.
After another 15 or 20 minutes of messing with the tuning pegs, Lee finally embarked upon a tune, at first picking out simpler melodies, listening for unwanted twangs in the strings, then slowly building to more complicated songs. Bit by bit, Debussy's "Claire de Lune" emerged from small and hesitant plucks. It was delicate and lovely, but unpolished. Clear that Rosen had not practiced in a long time, and as such his playing lacked confidence.
Still he was happy. His temple only a breath away from the instruments' column, his eyes closed and he relaxed for the first time since he'd arrived in the cave.
What: Lee has a harp and he needs to practice.
Where: The park
When: Early March
Warnings: None [Will Change if Needed]
Rosen winced at the discordant sound of an out of tune string. He'd been fiddling with the harp now for the better part of the morning and had tuned it, retuned it, and was in the midst of retuning it a third time. Or was it a fourth? He'd draw the strings taut, tighten them to perfect pitch, then loosen them to start the process over again. Why? It was mostly for the sake of practice. It had been well over a year since he'd personally tuned anything and some part of himself was desperate to prove that he still could. He wanted to remind himself that he had once known the proper pitch ratios and notational increments for harmonic chords.
And he still did.
The mathematics hadn't changed. He could still apply Platonic ratios to his instrument with ease. However, he was now finding that his muscle memory had begun to ossify.
To Lee's displeasure, his fingertips were dark pink and aching already and his knuckles were beginning to shake a bit when he gripped the bridge of the instrument. Clearly his age coupled with his time in incarceration had lost him his callouses and his grip, things that he had built up over years of guitar and piano playing.
After another 15 or 20 minutes of messing with the tuning pegs, Lee finally embarked upon a tune, at first picking out simpler melodies, listening for unwanted twangs in the strings, then slowly building to more complicated songs. Bit by bit, Debussy's "Claire de Lune" emerged from small and hesitant plucks. It was delicate and lovely, but unpolished. Clear that Rosen had not practiced in a long time, and as such his playing lacked confidence.
Still he was happy. His temple only a breath away from the instruments' column, his eyes closed and he relaxed for the first time since he'd arrived in the cave.

no subject
After some time, Yukari decides to make himself known.
"You play rather well. It sounds a little out of practice, but not too much so." He steps himself out of the shade of the nearby tree behind the man. "Did that instrument come with you, or were you lucky to find it lying around somewhere?"
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"Well thank you," He nodded his head in a small grateful bow. "And no, um, this harp was very kindly lent to me by another. I apologize, I didn't realize anyone else was around, did I disturb you?"
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"I should say not. I was rather fascinated when I heard the melody in the distance and came to inspect it's source. It's certainly a pleasure to hear a skilled hand in this world. How many years have you practiced?"
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"Do you play?"
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Yukari moves to sit on the bench beside him, taking the sword in its sheath off of his back and setting it to the side of the seat within easy reach.
"Not anymore. I used to play the violin and the piano when I was still a child. Other passions took over when I discovered fencing, though. Although, I still enjoy a beautiful melody when I get to hear it."
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Same old story, his grandfather had gone to medical school. His father had gone to medical school. And as such, he had been pegged as a doctor from the moment he first drew breath.
"I've found that once its gotten itself into you, music is impossible to get back out." He smiles then before turning his attention more fully on his company. "May I ask your name?"
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Yukari, of course, has never struggled to obtain his desires. His mind was made up in whatever he pursued, damn anyone else's opinions on the matter. And thus had relative ease in obtaining anything he might want. However, he's at least aware that other people feel obligation over passion and are nowhere near as rebellious as he himself is. He sees it as, if there is something in the way, then it must be eliminated. And few see eye to eye with him on that. In fact, many come to despise his views.
Not that any of that bothers him.
"Yes, I suppose you're right - music certainly stays with us, no matter the form. That's a rather philosophical and poetic way to think about it." He sets his elbow on the arm of the bench, resting his chin against back of his hand as he observes Dr. Rosen. "My name is Yukari Mishakuji. Pleasure to meet you. What do they call one such as yourself?"
no subject
And ambitious. But he doesn't say that.
"A pleasure to meet you, Yukari. I am Dr. Lee Rosen... or just Lee, rather...formalities seem strange in this place." He rubs the heel of his palm against the top of his leg awkwardly. "So what is it you do where you come from?"
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He gives an airy chuckle when asked about his line of work. Are you sure that's something you want to know the answer to?
"Well, Lee-chan, if you must know - I am a mercenary where I'm from. I served two kings and took down vast armies all on my own." He gives a delighted smirk as he says all of this; the definite sign that he enjoys what he does. He reaches over and pulls the long-bladed sword in front of him. "In fact, it is all I have used Ayamachi for. I do miss those days from home sometimes. Being reduced to just monsters is fairly frustrating. Don't you suppose, Lee-chan?"
Of course, he doesn't take Dr. Lee Rosen for any form of a fighter. The question is more to set the man on edge than anything. After all, he asked didn't he?
no subject
For a moment he is grateful when Yukari changes the subject, but the moment is fleeting and the brief flash of relief is quickly replaced by an odd numbness. A sort of numbness that follows both the horrific and the surreal. The kind that you taste the hint of in a moment of deja vu. The way Yukari's words arrive gleefully and deliberately and the proud way in which he displays his weapon give Rosen a strange and somewhat sickening sense of having been in this moment before. Or a version of it.
Yes. He's been in moments like this before. At the time it wasn't talk of armies, or mercenaries, but Lee had stood in a room as a patient delighted in the chance to describe the way in which he had dispatched of his family. His exact words had been "their skin crackled". Crackled. Like pork or candy wrappers. Such a trivial sounding word for such a horrific act but the young man had savored that description.
And it was now a permanent fixture in Lee's memories.
Through all of this Rosen's face remains devoid of any real emotion. Almost strangely tranquil as though it was a pond long left undisturbed. His professional pokerface. Its been tempered like steel over years of working with the angry, the corrupt, and the violent. He lifts his eyes back up to Yukari, voice steady as he continues as though it was just another conversation. Rosen will not fuel such a fire.
"And how long have you been here?"
no subject
Fortunately, for Dr. Rosen, Yukari's not here to torment, for now. He had honestly come here because he was enticed by the music. If he had intended to start a fight, he would have made that intention perfectly clear near the beginning. Rosen could very well have claimed that music has tamed this savage beast in the moment. So, he'll accept the new inclination.
"Hmm... probably about four months. It hasn't been so bad here at all. I suppose one could call it a different perspective. It's been new and interesting, to say the least. Would one such as yourself find it odd that I would choose here over my homeworld?"
Despite his typical snarkiness, he's said all of that in complete sincerity, with no tint of malice or ulteriour motive.
no subject
Its a thought he's been grappling with ever since he came to terms with the fact that this cave is neither the workings of some mental instability on his part nor the result of any psychological drug that would have been at the prison's disposal. And while that is some small relief, it is still unnerving to him that he is not more upset about being here. Far removed from his home.
But there it is. There is the rub. There hasn't been a 'home' for a long time now, has there? There had been a house. One that was far too big for just the one, little, old doctor puttering around with his books and his research. And to top it all off, for the better part of the past year, Rosen hadn't even been in his house. He'd been in a cell. In a small white cell being told day after day that everything he thought he knew was just the product of some faulty wiring in his head.
Does he really want to go back?
He tips his head up to meet Yukari's gaze, "would it surprise you that I might feel the same way?"
no subject
Yukari offers a more sincere smile.
"It would, a little. But I would say rather pleasantly so. There are certainly many more here who are trying to seek the way home than escape it."
Yukari rather despises the thought of the Door. He has yet to find it's location, or find any understandable material in destroying any of the deities here.
"Tell me, Lee-chan, what would you do to escape home? To stay here, or travel to another, more wonderful, world? Do you think there are ways to do such?"
Perhaps Yukari has found an ally in his endeavours, though he's certainly testing the waters to see if that's so.
no subject
Nothing but empty houses and streets to see when the first song stopped, and Danse feared that he might've lost his chance. But then the player embarks on another, and Danse picks up the pace, excitement building body with every gentle strum.
He doesn't recognize the songs, but they remind him of that channel on the radio, back in the Capital Wasteland. The woman who broadcasted through it played the violin, and while Danse is a bluegrass fan, on some nights he'd just switch over to the channel just to hear those wonderful melodies; some sweet and lively, some sorrowful and haunting, but all soothing to the soul, a powerful affirmation that there is still hope that not all their history is lost to them. That something as wonderful as music could still link those in the wretched present to a happier, kinder past.
Finally he arrives at the park and sees the old man and his harp. Danse takes a seat nearby and just listens intently, not wanting to break the musician's concentration.
no subject
Just another fact about living alone, he supposes.
When the song ends, his playing hand drops to his knee while the other rests easily over the bridge of the harp, fingers lightly tapping at the tuning pegs.
"Hello."
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He's almost sorry the song has to end.
Danse quickly straightens up (when did he slouch?), looking a little awkward and guilty.
"Sorry. I should've asked if you were alright with me observing your performance, but I didn't want to disturb your concentration."
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"That is alright. I'm just sorry I didn't give you a better performance. I'm out of practice."
He then holds out his playing hand for a handshake, the other still steadying the instrument, "Lee Rosen. And you are?"
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Ah, but he's being rude. Sheepish once again, he reaches over to shake the other's hand with a firm grip. Danse own hand is rough to the touch, palm covered in callouses built up over years of service to the Brotherhood.
"Sorry. I don't know anything about music. I shouldn't jump to conclusions. My name's Danse."
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From beneath light lashes, Lee's eyes take in Danse's appearance, the sheepish mannerisms and the polite but humble demeanor.
"If you don't mind my asking, how long have you been in this place, Danse?"
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So, lucky enough to have missed an entire year's worth of terrible, traumatising events. Danse doesn't look like he's had it too bad since he's been here; he's used to weathering it out in rougher, nearly inhabitable accommodations in his years of patrolling the DC Wasteland, and then the Commonwealth. Barring some mistletoe the gods haven't been up to any hijinks yet either.
The slight bags underneath his eyes might be telling of some sleep troubles, but otherwise Danse seems to be in good health.
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"Have you gotten yourself settled here, Danse?"
He is attempting to approach the question with some diplomacy rather than asking outright. He's found that more forward approaches tend to make people less inclined to answer.
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He stayed on the outskirts, listening and watching, a vague memory of a childhood he couldn't quite remember popping and fading just as quickly, like snow melting. Flick was androgynous, and even though he looked about 17, he had strange look to him, as if he was older. Noticing the older man's fingers, Flick stopped watching and strolled over.
"I might be able to help? Your fingers?" He pointed toward them. "Looks like that hurts. It's pretty though."
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"That is very kind of you." He lets his hands fall from the strings, blinking at them. His knuckles shake a bit as he holds one hand up for examination before his gaze returns Flick. "Might I ask how?"
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He didn't know this man, but he had a good sense about him. He had a nice smile, and Flick wasn't as afraid or angry at humans as the other of his kind here. Some of the humans here were nicer than some of his own kind. He took the man's hand, tracing his fingers with his own smaller hands.
"I can heal. Transfer some of my energy to you to at least take away the pain. I haven't been doing it long, but I think I can help. I've never tried it on a human before. It shouldn't hurt."
no subject
Yet another man whose repressed parents raised a repressed child and that child proceeded into a field of work where rigidity and disconnect is almost a requirement.
But nonetheless Rosen is grateful, though his brow furrows with some concern. "Will it hurt you?"
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"Sorry, I didn't mean to make you uncomfortable." Flick just sometimes had trouble keeping his hands to himself. It was a Wraeththu trait. "No, it won't hurt me at all. It might make me a little tired if I use too much of my own energy, but I'm getting better at channeling it from this place."
Flick gave the man a small smile, anxious to meet people here who weren't, well, mean. He didn't like this place and he hadn't had good luck with people, either here or back home. His kindness and generosity were too often abused and taken advantage of. "I'm Flick."
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He lowers his hands after a moment and straightens, now smiling. "My name is Lee Rosen. It is very nice to meet you, Flick. And that you. for your offer, I mean. It is a rarity to encounter someone so generous with strangers."
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"Sometimes I forget not everyone wants to be touched. I'm not used to it." He'd been on the run with his family, with Ulaume for so long, he'd forgotten what it was like to be amongst humans, to be with people who didn't long for touch, who weren't always touchy feely creatures.
AH SORRY I DIDN'T SEE THIS TAG SOMEHOW
He laughs a little at himself, rubbing the back of his neck with his free hand.
"So how does it work? Your healing?"
No worries!
"Biologically? I'm not sure. My species is pretty new, there's a lot I don't know about my body. But basically, I take some energy, a mix of my own and the energy around us and manipulate it. When I transfer it into you I visualize what I want to happen, and make it happen on a physical level."
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His brows draw together in a bashful expression, Rosen having working himself into a state of fluster.
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Flick Believed. Wholeheartedly that Wraeththu were to answer to all of humanities wrongdoings. He believed almost zealously.
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As such, despite a small hesitation, Rosen is able to reign in his bewilderment enough to put on a polite smile.
"Is, um, is there anything in particular you'd like to hear?"
He isn't sure what else to ask, but it is unlikely he will know any of the melodies that a talking hedgehog might request.
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"A surprise..." He thinks it over a moment before raising his fingers back to the strings. Starting with a long trill of notes then moving into a whirling cyclical melody, Rosen ekes Puccini's "Nessun Dorma" from the strings.
No worries! I am being just as slow ^ ^;;; <3 I hope they were good travels
He's found himself unsure about how to answer basic questions in this cave. At home the "what is your name" is easily answered with "Dr. Lee Rosen", but here, introducing himself by his full name and title just seems over-the-top. Then the question "what do you do" equally flusters him. Is 'doctor' sufficient? or should he be more specific?
"And yourself, sir...?"
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Finding the man Beth steps close enough to hear his song, not recognising it but enjoying the melody, but decides to wait until he's finished playing before saying anything. She doesn't want to disturb him from his practice.
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Young lady. A voice in his head mocks him for his 'doctor voice'. The young Alphas in his care would often tease him, claiming that his 'doctor voice' would inevitably emerge when he was trying to keep a situation calm or, as in this case, when he was addressing someone new.
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"No, I was just listening. I haven't really heard music here." At least not anyone playing. Did anyone else have an instrument here? If they did they hadn't been playing them outside.
"It was really good."
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"What is your name?"
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"Do you play a lot?"
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"Not harps, no. In all honesty i'm more of a pianist, but I can't be picky here can I? And this harp was very kindly lent to me." He lifts it then, holding it out to her.
"Do you play? Or would you like to try it?"
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"It's nice just listening. I don't play."
She prefers to look at it, or listen in the case.
"You might be able to get a piano. Delight might like it."
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Lee is genuinely excited about the prospect, not only that he will have his instrument of choice, but that it will have been personally made for him. How extraordinary.
"Have you been in this cave a long time, Beth?"
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"A few months. It's... I've got friends here, it hasn't been too bad." If you don't count the monsters, fear or her friends occasionally dying.
"What about you?"