Aᴅᴀᴍ Pᴀʀʀɪsʜ (
unknowable) wrote in
hadriel_logs2016-02-12 07:44 pm
Entry tags:
hang on to your dreams
Who: Adam Parrish (
unknowable) and OPEN
What: Catch-all log for the month of February!
Where: Around the city
When: February 12-29 - put a date in your thread header if it matters!
Warnings: General stupid teenage boy-ness, swearing probably, possible mentions of violence
[a: scavenging]
[With a house full of teenage boys (and one raven) to feed, it's pretty normal for Adam to make supply runs, picking up whatever he can find from one of the many stores scattered around the city. It seems like the offerings are different every time he goes out, which at least makes it interesting. The basics can be counted on: strange, unfamilar fruit with occasional apples or oranges or bananas mixed in, cans of odd soups, boxes of various other foods. Right now, Adam is holding a box of cereal. The front says Fruit Spins in cursive print, and there's something that resembles a toucan but definitely isn't one.]
Well... I guess that's close enough.
[Adam's tone is extremely doubtful, but he looks like he's planning to take the box anyway.]
[b: park]
[It's not a forest, and it's not Cabeswater, but the trees in the park are real, and that offers Adam some kind of comfort. He misses home the same way he always has - shamefully, resentfully, angry at himself for letting Henrietta and the doublewide trailer he spent most of his life in have such a hold on him. He's always wanted to get out, desperately, always worked for that, but he wonders sometimes if there's no real way to shake the dust off his shoes. If, no matter where or how far he goes, there will always be some disgusting part of him that misses it.
But there's nothing wrong with missing Cabeswater. Well, it's with him, even now, but not the real thing. He can't walk under the trees or feel the pulse of the ley line. This is the closest he can get.
He lays on the grass under one of the trees, looking up at the light through the leaves. Like this, he can almost pretend he isn't in a cave. He can let his thoughts drift, let himself just be.
He almost falls asleep, until the sound of a footstep jolts him out of his reverie. He sits up, suddenly, and looking in that direction, a bit like a startled deer.]
[c: at home]
[Plenty of things to do at the raven boy house, which is not and never will be named something silly like Monmouth II. Adam tries to keep it a few steps below 'disaster area', which is not so very easy to do when they're all teenage boys and one of them is Ronan Lynch. He also tries to make sure they have food and other supplies - not out of a desire to take care of his friends, but out of his basic practical nature. Ronan doesn't care about these things at all, Gansey is too easily caught up in books and new amazing things, and Noah is a ghost. Adam might as well try to make sure they have dishes to eat off of and food to eat from those dishes.
Anyway, he does better when he has things to do. At home, Adam barely had an hour or two of free time here and there. Here, his time is free unless he fills it with things, and so he does, because he doesn't really know how to handle actual free time anymore.
Right now, he's in the kitchen, mundanely washing dishes. He figured the sink out long ago, at least, so that's good. He'll come to the door, if it's knocked on, or he'll allow himself to be disturbed, but otherwise - today Adam Parrish will be playing the part of underpaid (well, unpaid) dishwasher.]
[d: let me know if you'd like to do something else and I'll write up a starter for you!]
What: Catch-all log for the month of February!
Where: Around the city
When: February 12-29 - put a date in your thread header if it matters!
Warnings: General stupid teenage boy-ness, swearing probably, possible mentions of violence
[a: scavenging]
[With a house full of teenage boys (and one raven) to feed, it's pretty normal for Adam to make supply runs, picking up whatever he can find from one of the many stores scattered around the city. It seems like the offerings are different every time he goes out, which at least makes it interesting. The basics can be counted on: strange, unfamilar fruit with occasional apples or oranges or bananas mixed in, cans of odd soups, boxes of various other foods. Right now, Adam is holding a box of cereal. The front says Fruit Spins in cursive print, and there's something that resembles a toucan but definitely isn't one.]
Well... I guess that's close enough.
[Adam's tone is extremely doubtful, but he looks like he's planning to take the box anyway.]
[b: park]
[It's not a forest, and it's not Cabeswater, but the trees in the park are real, and that offers Adam some kind of comfort. He misses home the same way he always has - shamefully, resentfully, angry at himself for letting Henrietta and the doublewide trailer he spent most of his life in have such a hold on him. He's always wanted to get out, desperately, always worked for that, but he wonders sometimes if there's no real way to shake the dust off his shoes. If, no matter where or how far he goes, there will always be some disgusting part of him that misses it.
But there's nothing wrong with missing Cabeswater. Well, it's with him, even now, but not the real thing. He can't walk under the trees or feel the pulse of the ley line. This is the closest he can get.
He lays on the grass under one of the trees, looking up at the light through the leaves. Like this, he can almost pretend he isn't in a cave. He can let his thoughts drift, let himself just be.
He almost falls asleep, until the sound of a footstep jolts him out of his reverie. He sits up, suddenly, and looking in that direction, a bit like a startled deer.]
[c: at home]
[Plenty of things to do at the raven boy house, which is not and never will be named something silly like Monmouth II. Adam tries to keep it a few steps below 'disaster area', which is not so very easy to do when they're all teenage boys and one of them is Ronan Lynch. He also tries to make sure they have food and other supplies - not out of a desire to take care of his friends, but out of his basic practical nature. Ronan doesn't care about these things at all, Gansey is too easily caught up in books and new amazing things, and Noah is a ghost. Adam might as well try to make sure they have dishes to eat off of and food to eat from those dishes.
Anyway, he does better when he has things to do. At home, Adam barely had an hour or two of free time here and there. Here, his time is free unless he fills it with things, and so he does, because he doesn't really know how to handle actual free time anymore.
Right now, he's in the kitchen, mundanely washing dishes. He figured the sink out long ago, at least, so that's good. He'll come to the door, if it's knocked on, or he'll allow himself to be disturbed, but otherwise - today Adam Parrish will be playing the part of underpaid (well, unpaid) dishwasher.]
[d: let me know if you'd like to do something else and I'll write up a starter for you!]

c | feb 13
Cash is out of the house today, and probably won't come back until late, which makes the emptiness of the house loom even more. So Arya bundles up, takes her sword and a couple daggers and conceals them in her coat, and leaves.
Without really meaning to, she's arrived at Adam's house. It's Noah's and Ronan's too, she supposes, but in her mind she's always associated that place with Adam Parrish, and she's always been more than a little curious about it. And now that she's standing on its front steps, she might as well go inside.
Arya takes a deep breath and knocks. ]
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But he dries his hands and goes to get it, because surprised or not, he isn't going to leave someone waiting. The sight of Arya brings a careful but genuine smile to his face, and he steps back so there's room for her to enter.]
Hey. Come in.
[The dishes can wait. He doesn't know if she's just bored or if she came over for a reason, but it doesn't really matter. Arya's more than earned some of his time.]
What's going on?
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She steps inside the house. She's surprised at how similar it is to the one she and Cash live in. The main difference is that it seems fuller, even with just her and Adam here. More lived-in. But that's how she knows she's came to the right place. ]
Cash is gone all day and without her there it's too big.
[ Sometimes the emptiness is too much. She hopes Adam understands, even if she can't fully articulate that. ]
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So Adam does understand.]
Stay as long as you want. Sorry it's a little messy.
[Because it's always a little messy. A jacket - probably Ronan's - thrown over the sofa, an empty waterglass on the floor, some seeds that are likely the remnants of something Chainsaw ate, a book, a single discarded sock. It's not that bad, really, but people definitely live there, and Adam might try to keep things semi-decent but he's not gonna be anybody's maid.]
Hungry? I could make us some food.
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B - 15th
Bow in hand, quiver at his side, Amos startles back when Adam sits up: he'd been more focused on the birds than what might be a person around, and his boots scuff in the grass as he spooks a step sideways before realizing it's not a huge threat.
Except it's Adam, and his start of a friendly smile and wave fades as he realizes that, like a dog who suddenly remembers he's been bad. So instead Adam gets a mildly guilty look, and a sheepish, "Oh, uh, sorry...for intruding. I'll go somewhere else."
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He tenses when he sees who it is, because he doesn't trust Amos, and of course Amos has a weapon. But he doesn't seem to be a threat right now, and even if he was, what could Adam do? He has no protection but Cabeswater.
"I don't own the park. There's plenty of room. Go where you like."
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One of the birds overhead trills and swoops down closer, eyeing Adam before mimicking his last words. 'Go where you like', and it's very eerie for an animal to be so precise, sound so human.
Amos looks back at the birds. "C'mon, guys, let him be. Come with me an' I'll teach you more songs."
The birds both turn to look at him, and Amos whistles a little tune to prove he'll deliver. Returning his whistle, they both fly a few branches closer, peering down at him with curiosity. Amos glances back at Adam. "Sorry. It's just what they do."
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"I know. They've been here for a few days."
He's seen the birds, he's heard them mimic people. He doesn't need to be told that, particularly from someone who apparently thinks he could explode into violence at any time.
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e: z brings vegetarian fare | feb 24th
She gives the front door three hard knocks, to make sure she's been heard, and thinks back to how she used to just barge in on Jack, both before SPD and when they'd joined the force. She misses her friends so much, but at least she has new friends now. Still, she's not as close with her friends here, so she stands outside and waits, listening hard to make sure none of those monsters is making their way over to her.]
Special delivery! [she calls after a while. Why not, right? She's not especially loud when she does it, but it should be enough to let Adam and whoever else is in the house at the moment know that she comes in good cheer today.]
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But he is fairly sure monsters don't knock, and when he hears Z's voice, he relaxes a bit. Definitely not something that will attack the moment he opens the door.
Which he does, not long after her knock. He manages a smile, though it's a bit tense, his eyes scanning the walkway behind her, just in case.]
Hey, come in. I wasn't expecting any visitors.
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She heads inside quickly, so he can shut the door as soon as she's past him.] The coast is clear-- well, for now. Those things are scary.
[She's sure he's heard the screeching, so she won't bring it up.]
Anyway, I wanted to say hi, see a familiar face. Also, I promised to cook for you, so. [She lifts up her bag, the cans inside it clanking against each other.] Nothing fancy, but it'll be warm and savory.
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[And that's how he would like it to stay. No monster-fighting, thanks, though if one of them somehow gets in he knows he'll have to figure something out. Hopefully that won't end up being necessary.]
Hey, I'm never going to turn that down. I've had enough of my own cooking.
[Adam does pause for a moment, looking at the bag and then at her. He's sure she knows, he's sure she would never do something like that even by accident, but still - he has to be sure.]
No meat though, right?
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c
Did you get that to run hot?
[ This is another lesson he needs to memorize, clearly. None of the appliances here seemed to work like he expected. Of course, it didn't help that he'd not used the vast majority of them before he came to this place anyway, but he'd thought himself reasonably expert when it came to sinks. Apparently not.
He invites himself in, and moves over to the countertop near to Adam. He's been hoping they'd get a chance to talk, privately. Now seems like as good a time as any. ]
Can I join you? I'll dry, if you like.
[ ...please tell him where the drying cloth is, he has no actual idea. ]
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Yeah - there's a little switch under the faucet you have to hit. But if you hit it the wrong way it shuts the water off entirely.
[Why? Who the hell knows. Many days of trial and error have taught Adam one thing, mainly, and it's that whoever or whatever lived in these houses before them had to have been pretty astonishingly strange.
He's not going to turn down the help, even though the idea of Gansey doing chores is a little weird. Obviously he must - Monmouth wasn't that bad, and they didn't have a housekeeper. Unless they did, and she only came when Adam wasn't there, which is not an entirely impossible thing, all things considered. Unlikely, though.
But mainly Adam's thoughts are along the same lines as Gansey's. There's things they should probably talk about that will go more easily without Ronan and Noah around, even if Adam isn't sure he wants to talk at all.]
Sure, I could use the help. There should be a dishtowel in the second drawer over there.
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[ Gansey says that with a smile, while he goes to the drawer Adam sent him to. He finds the towel and returns, lifting one of the plates.
This, in fairness, is not a thing he normally does. He washes what he uses, but he lets them dry by themselves. He has a minimal approach to housekeeping, which he's already gathered that Adam does not. That's not very surprising.
The short of it is, he's not doing this because he feels a strong need to put their dirty dishes away. He wants to catch up with Adam. ]
So, I was hoping we'd have a chance to talk. Away from the others, I mean. I thought you might be up for telling me more of what I'm missing, if it were just the two of us. It's a long time to miss.
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It's not that he thinks they should keep secrets from Gansey. It's that some things just don't matter, others aren't really Adam's secrets to tell, and some - some it's just better to have forgotten. There are things Adam would rather forget, too.]
Yeah, of course. It must be weird, coming back to all of this, us acting like there are a million things you should know.
[It's not really fair to Gansey, is it? He didn't choose to leave and he didn't choose to get brought back. He didn't choose to forget anything. Adam washes a plate, hands it to him.]
Where do you want me to start? There's kind of a lot.
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A - 16thish
Close enough? Compared to what?
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It looks like a kind of food from my world, but it definitely isn't. It's just off enough to be weird.
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[It's always good to see a familiar face though, especially as more people keep showing up, and a few still seemingly vanish into the night.]
How are you and your friends holding up?
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c | backdated to before wendigos
There's only so long they can drag this out for. Between Noah's knowing looks and Gansey's concerned ones, Ronan is well aware that one of them is going to break sooner or later, and he's relatively certain that it will be him- Adam, after all, has a way of giving the cold shoulder for as long as he deems it necessary. Ronan has difficulty committing to impassivity the way Adam can, and some part of him is distantly aware that if this boils over on Adam's end then there's little chance of it ending well for either of them.
The problem is, Ronan doesn't know how to engage Adam, not over something like this. Speaking frankly to him is out of the question- neither of them are adept at dealing with the direct truth when it comes to matters like this, despite Ronan's usual propensity for blunt honesty.
Predictably enough, the answer comes one afternoon in the form of a dream and the resulting object that comes out of it. When Ronan wakes, he's struck by his usual stillness before he's able to really look at the thing, his brows furrowed for a moment. He turns it over itself, tries to remember the dream that it came from, and moves to stand, setting it upright on the floor.
Ronan leaves it in his room when he goes looking for Adam and closes the door behind him. Adam is easy enough to find in the kitchen, and Ronan shoves his hands in his pockets before he makes his way over, shoulders dropped low and casual.]
Hey.
[He doesn't think he's made eye contact with Adam in weeks. Ronan tilts his head to look at him then, his expression unreadable.]
I want you to take a look at something.
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Which felt odd. After Ronan dug him up, they'd practically lived in each other's pockets, Ronan sleeping on Adam's floor, Adam not usually much more than a few feet away even when they were awake. For comfort, for safety, for a lot of things. But then Adam fucked up, and it was gone, and the longer it stretched on the more tense he became.
He was angry at first, and really some part of him still is, but the majority of the anger faded quickly, leaving in its wake a quiet confusion and growing worry. He knows that this is his fault, that he did something Ronan wasn't expecting, pushed him too far, didn't ask when he should have. He knows that he got carried away, and it's not the first time. But how do you apologize for that, and how do you apologize when they won't even look you in the eye, when they're Ronan Lynch and they're always angry and you already fucked up?
The anger faded and the worry grew, and at this point Adam only knows that he can't let this ruin their friendship. Whatever else happens, he can't do that, he can't lose Ronan when Ronan is one of the most important people to him. And he still wants to snap at Ronan and demand to know why, what it is about him that's not good enough, but he knows that would not be a productive way to start any conversation. So he's stayed quiet, because he doesn't know how to start this, even though he knows he should.
But at least now Ronan's talking to him. Making eye contact, even. And he needs Adam for something, so that's okay. They can go back to normal. Maybe Ronan just doesn't want to talk about it, maybe he wants to pretend it never happened.
Adam can do that, if that's what it takes. He's not going to lose Ronan.]
Sure.
[He turns the water off, dries his hands, lets the sink drain. He can go back to it later.]
Where?
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[Ronan nods his head back in that direction.]
C'mon.
[He waits for a moment for Adam to follow him, almost not sure if he will or not. But he'd already agreed to look at it, and as stubborn as they both can be, Ronan doesn't think that Adam will dig his heels in quite so soon. So he goes, hyperaware of Adam's movements behind him as he rests his hand on the doorknob for a moment.
Since waking recently, Ronan has moved on impulse and emotion, deciding that this would be the best course of action before really thinking anything through. The same thing happened when he'd tried to kiss Adam those weeks ago and had been startled into pulling back. It's too much action and emotion, too much lunging into matters without thinking things through, and as he slows to turn the knob, Ronan finds himself struck by a hesitation.
After he does this, there's no going back. He can't undo it, he can't make Adam forget about it. This is just him, this is proving something, this is showing something, and he'd be worried about pushing Adam further than he wants to, but Adam proved that he was no longer hesitant about this on the day that he'd tried to scry for Gansey. In a way, Adam had proved it before that, even- the sleeping near one another, the touches, the growing comfort in Ronan's presence. Ronan had been too cautious to see it then.
He's not even sure if he sees it now, or if it's just wishful thinking, but he forces the doubt from his mind and lives, pushing the door open and moving inside.
Ronan's room is in its usual haphazard state, with clothes strewn about the floor, intermingling with impossible things. There are three identical scrying bowls stacked in a corner, two of which suffer from deep cracks, there's something that looks suspiciously like a music box on the desk, half-buried by a carelessly thrown shirt. There's a dusty baseball glove trodden on in the corner, there's a handful of dirt strewn across the floor as if thrown. Chainsaw's cage is in the corner as usual, maybe in need of a little tidying up, but she's content within it for now.
Standing upright in the middle of the floor is the most impossible thing of all of them, and it's... difficult to describe what exactly it is. It looks like a sculpture made of wood and tightly-drawn wires stretching across the empty spaces, but after a moment or two of consideration, it becomes recognizable as an alien musical instrument.
It's the size of a cello, maybe a little smaller, but the neck of it is curved like the spine of a harp and branches off into elegant curls of wood, while the base is gently twisted and hollow, with strings crossing upward into the spirals near the top of it.
Something about it is foreboding. Something about it is the most beautiful thing that can be seen, and the beauty is compounded by the dozens of intricate carvings throughout the wood- subtle at first, almost unnoticeable until you're standing in the right light, but there, as gorgeous and terrible as the jet black lines of Ronan's tattoo. It's knotwork- if you look at it in another light, it's the grasping branches of a tree- in another light, it's masks and feathers and vines twisted together in an unsettling puzzle. If a master craftsman were given a decade, then they might be able to create something similar- but it's doubtful.
Ronan's mouth is suddenly dry as he makes his way over to it, reaching a hand out to stroke his finger along one of the strings in a practiced, casual movement.]
Do you know what this is?
[It's not a rhetorical question- it sounds more like Ronan believes that Adam might actually know the answer.]
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b | i have no idea, let's go with the 13th
oh, no, not lloyd, not really. if he was going to miss any forest it would be iselia's because it was home, and in that case, no other forest would really do. noishe, on the other hand? well noishe might not actually be a dog, but most days he acted enough like one that it didn't really matter.
just. a really big, green dog. standing at lloyd's side now and looking down at adam with him, both with equally curious and friendly expressions. though after a moment lloyd's own turns a shade regretful as well.]
Sorry, did we wake you up?
perfect!
No, I wasn't sleeping.
[Which is mostly true. He'd probably have drifted off in the next couple minutes, but it's not smart to sleep outside here anyway.]
Is that your... dog?
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Yeah, this is Noishe! Isn't he great?
[he gestures between noishe and adam happily.] Noishe, this is Adam, say hi! [noishe agreeably makes a sound that's almost like a yip and wags his tail.]
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